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Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
No writer has ever yet been known to hang himself as long as he had another chapter left.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
Books aren’t written, they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
The most valuable of all talents is that of never using two words when one will do.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
I have long felt that any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has just put on full armor and attacked a hot fudge sundae or banana split.


























