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I get up in the morning, torture a typewriter until it screams, then stop.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
Socially, a journalist fits in somewhere between a whore and a bartender. But spiritually he stands beside Galileo. He knows the world is round.

























