There is a stereotype out there about writers. They’re talented and frustrated and hit the bottle way too often. Maybe the reason some talented writers are frustrated and drink to excess is because of what they’re asked to write. Example:
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
No writer has ever yet been known to hang himself as long as he had another chapter left.