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It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
I get up in the morning, torture a typewriter until it screams, then stop.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.


























