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If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
The most valuable of all talents is that of never using two words when one will do.
Editor: A person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
I have long felt that any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has just put on full armor and attacked a hot fudge sundae or banana split.


























