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In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
Editor: A person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
No writer has ever yet been known to hang himself as long as he had another chapter left.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.


























