A couple days ago, I dropped by Kate Jonez’s house in a remote, hilly part of Los Angeles. I had to sign off on some business Read More...
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
Socially, a journalist fits in somewhere between a whore and a bartender. But spiritually he stands beside Galileo. He knows the world is round.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
I have long felt that any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has just put on full armor and attacked a hot fudge sundae or banana split.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
The most valuable of all talents is that of never using two words when one will do.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.

























