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Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Socially, a journalist fits in somewhere between a whore and a bartender. But spiritually he stands beside Galileo. He knows the world is round.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
The most valuable of all talents is that of never using two words when one will do.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.




























