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I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
The most valuable of all talents is that of never using two words when one will do.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.


























