Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Socially, a journalist fits in somewhere between a whore and a bartender. But spiritually he stands beside Galileo. He knows the world is round.
I get up in the morning, torture a typewriter until it screams, then stop.
What I loved most about calling myself a reporter was that it gave me an excuse to show up anyplace.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.

























