It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
The most valuable of all talents is that of never using two words when one will do.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.

























