A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.

























