Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
Editor: A person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.

























