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Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
The most valuable of all talents is that of never using two words when one will do.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.