Janet Reid is a literary agent and she has a blog. It seems that many publishers, traditional as well as publish-on-demand, are Read More...
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
I get up in the morning, torture a typewriter until it screams, then stop.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
























