
I don’t know how Eric reacts when he’s engrossed in a book or article and comes across a misspelled word, or the wrong Read More...
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
What I loved most about calling myself a reporter was that it gave me an excuse to show up anyplace.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
























