![]() |
|
|
![]() |
|
|
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.


























