There is a stereotype out there about writers. They’re talented and frustrated and hit the bottle way too often. Maybe the reason some talented writers are frustrated and drink to excess is because of what they’re asked to write. Example:
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
No writer has ever yet been known to hang himself as long as he had another chapter left.
I get up in the morning, torture a typewriter until it screams, then stop.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.