I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:
I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
I get up in the morning, torture a typewriter until it screams, then stop.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Editor: A person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.