I came across this comical image while searching for a photo to illustrate our new page on editing and proofreading services. It Read More...
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.

























