I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:
I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
There are three primal urges in human beings: Food, sex, and rewriting someone else’s play.
What I loved most about calling myself a reporter was that it gave me an excuse to show up anyplace.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.