It happened again. I received a call from an older fellow in Hawaii. I’m not sure why he called me, but he had a deal with Read More...
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
No writer has ever yet been known to hang himself as long as he had another chapter left.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.
























