
I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block: Read More...
I found this in the August 2nd, 2019, New York Times. Fun reading...if you're not suffering from reader's block:
Reader's block article
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
The most valuable of all talents is that of never using two words when one will do.
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.

























